Andrew has actually a keen interest in all elements of poetry and writes generally on the subject. His poems are published online and also in print.

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Frank O'Hara and also A an overview of having A Coke through You

Having A Coke v You is a love city Frank O'Hara created in 1960. That is based on an afternoon drink with a young lover, collection under a tree in new York city. Released in a little magazine originally (Love), that was additionally included in the book, lunch Poems, that 1965. That is a generally spontaneous O'Hara work, unconventional and also open-hearted, dashed off with enthusiasm.


Frank O'Hara was recognized as 'a poet among the painters' since of his association through a group of new York artists, the abstract expressionists, with whom that collaborated because that a variety of years. A livewire and party animal, he worked at MoMA as an assistant curator.

Though no prolific, his carefree layout which the termed 'Personism' went versus the serial of tradition. He hated literary pretension and wanted his poetry to reflect his dynamic interest in and involvement through cutting edge cultural activity. Manhattan, his stomping ground, was absolutely full that that.


Having A Coke through You was written when O'Hara changed from a trip to Spain in April 1960 and also focuses ~ above the intimate relationship in between two people enjoying a drink and alludes to art and religion. It's an unorthodox poem, one the contrasts a beautiful lover with fine art and also saintliness.

Having A Coke with You

is even much more fun 보다 going to mountain Sebastian, Irún, Hendaye, Biarritz, Bayonneor being sick to my stomach top top the Travesera de Gracia in Barcelonapartly due to the fact that in her orange shirt girlfriend look favor a much better happier St. Sebastianpartly since of my love for you, partly since of her love because that yoghurtpartly since of the fluorescent orange tulips around the birchespartly because of the secrecy our smiles take on prior to people and also statuaryit is tough to believe when I'm through you the there deserve to be anything as stillas solemn as unpleasantly definitive as statuary when right in former of itin the warm new York 4 o'clock irradiate we room drifting ago and forthbetween each other like a tree breathing v its spectaclesand the portrait display seems to have no encounters in it in ~ all, just paintyou all of sudden wonder why in the world anyone ever did themI lookat you and I would rather look at you 보다 all the portraits in the worldexcept possibly for the Polish rider occasionally and also anyway it's in the Frickwhich thank heavens girlfriend haven't unable to do to yet so we have the right to go together the very first timeand the fact that you move so beautifully an ext or much less takes care of Futurismjust together at house I never ever think of the Nude to decrease a Staircase orat a rehearsal a single drawing that Leonardo or Michelangelo that offered to wow meand what great does every the research of the Impressionists carry out themwhen they never got the right person to stand near the tree as soon as the sunlight sankor for that matter Marino Marini when he didn't pick the rider as carefullyas the horseit seems they were all cheated of part marvelous experiencewhich is no going to walk wasted ~ above me which is why ns am informing you around it


Analysis of having A Coke through You

Having A Coke with You is in totally free verse, there room no finish rhymes and also no regular meter (metre in UK). There space two large chunks - stanzas - and also two unrhymed couplets, one that separates the stanzas and one that closes turn off the poem.

Punctuation is non-existent except a collection of commas in the very first two lines and also one comma in line four. This mirrors the rare and also unusual romantic instance the speak finds himself in. There room no rules. Enjambment has actually gone wild.

The lines are mainly long and also rambling and give the impression that they are prose sentences simply laid down end to end in a breathless fashion. This might be a casual telephone call monologue, or a passionate internal description.

Reading v this poem is an adventure due to the fact that there is a lack of guiding punctuation, over there is no stable rhythm or continual variation in anxiety so the reader needs to decide when and also how to pause before moving on. This is an extremely much an individual choice.

The an initial person perspective method that the leader is brought right right into the mind of the speaker, who is sitting admiring the beauty inherent in his lover. That is an intense burst that admiration the leader witnesses; some could say that is a tiny too over-the-top but one thing is for certain - over there is no denying the passion the speak feels in these moments of an individual bliss.

Further evaluation Line by heat of having A Coke through You

Lines 1 - 10

This poem is all around the moment, the sharing of a coke through a lover, time being changed by love. Love, life and art space put into the mix, and love comes the end top; the is much much more preferable to the finest picture, the best statue, the best saint.


Frank O'Hara composed this poem having just returned from Spain, so the chance to fulfill up with his lover - in actual life Vincent Warren, a dancer with the new York Ballet - is too an excellent an possibility to miss. Better than traipsing round those spanish towns and cities!

Saint Sebastian is often shown as a handsome young man martyred by being tied to a post and also having arrows fired right into him, which the is said to have survived. How an orange shirts fits into this script is anyone's guess, yet the speak is clean in his very own mind.


Note the repeated 'partly because' i beg your pardon puts emphasis on the factors for this chance to be so special. And also those reasons are both concrete and also romantic, from the orange shirt to pure unadulterated love, indigenous yoghurt to those an enig smiles. The speak is opened up his heart, admitting come infatuation and a kind of helplessness in relief.

The momentum builds as the speak introduces the statuary - the statues i m sorry are near to castle - and also states that he doesn't like them, they're 'unpleasantly definitive' and so still, and also this is in acute contrast to him and also his lover who space fluid and alive when contrasted to the solemn statues.

In truth the two are like the trees, the breath birches, so green and focused are they. The unusual simile like a tree breathing v its spectacles could be a referral to the shiny leaves - a tree certainly does breathe with its leaves - however conjures increase a strange picture of a tree wearing a pair that glasses. Surreal, however it appears to do the job. The speaker and also the lover space as one entity; one is the tree, the other the lens (from the spectacles), and also both require each various other to function.


More analysis

Lines 11 - 12

The separate couplet complies with the opening stanza and questions the factors why a painter could want to repaint a portrait that someone, when the living flesh is therefore much an ext impressive. The speak is saying that the show, the exhibition he has actually just to be to see, is little more than paint.

Why produce a snapshot of someone's confront when the living fact surpasses something an artist might produce? The speaker is attempting to convince himself that no painted portrait can ever substitute because that the person right in former of him at that moment in time.

Further evaluation Line by Line

Lines 13 - 25

Again the speak reiterates his infatuation with his lover by stating that any portrait doesn't come near the transformative experience of the life face, the real human being seen at the appropriate moment.

The allusion come an actual snapshot - the Polish driver by Rembrandt - bring a slight doubt to the proceedings. The speaker nearly casually mentions the reality that the photo hangs in the Frick (an Art referral Library in new York) and that his lover hasn't in reality been over there yet, lot to the speaker's relief.


And further cite of Nude diminish A Staircase by Marcel Duchamp - among the co-founder of Modernism - and other good artists native the Renaissance, add to the Impressionists with their radical take it on an approach and use of repaint - the speaker is offering the reader a potted background of art, especially portrait painting, and also saying that all of these artists cheated themselves the end of the endure of just being near to a beautiful love one.

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Even Marini's Horse and Rider is questioned - seems the speaker thinks the horse is better looking 보다 the rider.

The conclusion is that, native the tho standing statues come the modern nude, naught compares with what the speaker can see, feel and experience in the moment, also if that moment includes a coke, yogurt and also orange shirt. The love in between two intimate world conquers all, the sensual nature that the passionate an enig smile, the look, is what matters in the end.