The Curse that Oak Island: Season 6, illustration 2- yellow Rush

The adhering to is a plot an introduction and evaluation of Season 6, illustration 2 the the history Channel’s TV collection The Curse the Oak Island.

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Plot Summary

Rick Lagina and Gary Drayton pay a visit to Dan Blankenship’s residence on Oak Island. In Blankenship’s kitchen, they uncover the veteran treasure hunter in conversation v Marty Lagina. Rick and Gary interrupt their companions to show them the bejeweled brooch uncovered at the end of the previous illustration on Oak Island’s lot 21. As Dan and Marty research the artifact, the narrator reminds united state that Drayton uncovered a comparable piece of jewelry on many 8 the previous season. Following the narrator’s exposition, stack observes, in one interview, that “the jewel is much smaller than the find last year, a little much more intricate architecture on the setting, is much more well-preserved.” ago in Dan’s kitchen, Gary Drayton says, “I have visions of… pirates filling your pockets with jewelry, running across the island, dropping this stuff.”

An interpretation of the Oak Island brooch found on lot of 21.

After the narrator summary touches on theories which the brooch evokes, including the pirate theory, the story that Captain James Anderson, and also the theory revolving roughly Marie Antoinette’s jewels, the four treasure hunters all agree the the candlestick to have actually an professional determine the artifact’s age.

While Charles Barkhouse watches as the men of Eagle Canada pave up your seismic survey in the Money Pit area, Laird Niven meets Rick and also Marty Lagina and Gary Drayton in ~ the Oak Island Visitors’ Centre. Drayton notifies the archaeologist that lots 21 and 22 have been cleared of trees and brush, enabling him to steel detect there much more efficiently and effectively. The then shows Niven the brooch the he dug increase on lot of 21. Niven examines the artifact for some time prior to declaring the he has actually never viewed anything prefer it before. He also observes the the brooch’s ornamental housing has actually been gilded, or coated v gold leaf, and encourages the team to have it analyzed through an expert in antique jewelry.

The following day, rick Lagina and also Gary Drayton meet with to represent of Brycon Construction and also Irving equipment Ltd., the contractors tasked with structure an massive cofferdam around Smith’s Cove. When the men shake hands, the narrator informs us the this structure will it is in 25 feet deep and also composed of metal.

An interpretation of the “augmented reality” design of the theoretical Smith’s Cove cofferdam.

Rick defines in an interview that in stimulate to start work in ~ Smith’s Cove, they will an initial have to develop a an extensive road native Borehole 10-X come the beach. This roadway will should support the 300 ton crane with which the cofferdam will certainly be constructed.

Later, the Oak Island team meets in ~ the Mug & Anchor Pub in the nearby town the Mahone Bay. Rick Lagina notifies the crew that they have arranged because that a gemologist in Calgary, Alberta, to take it a look in ~ the 2 brooches uncovered on Oak Island.

An translate of the bejeweled brooches uncovered on Oak Island.

We room then transported to Calgary, Alberta, where the Lagina brothers and also Dave Blankenship room driving. The sweetheart hunters head to the Alberta university of Art and also Design, whereby they accomplish with gemologist and also master goldsmith Charles Lewton-Brain and his assistant Axel Bernal Bladh. Lewton-Brain, who has agreed to take it a look in ~ the 2 brooches, clears the rhodolite garnet native its housing and examines it using a digital video microscope. That remarks that “the facets… don’t accomplish perfectly”, i m sorry he claims is an indication the they to be hand-cut (as opposed to machine-cut). He later declares the the garnet has a refractive index of over 1.7; because that reference, he claims that a ruby’s refractive table of contents is 1.74. After evaluating the gem under another microscope, the declares the the rock indeed shows up to it is in a garnet.

Next, Lewton-Brain examines the rock ensconced in the many 21 brooch. He conveniently discovers small bubbles inside the thing when evaluating it under a microscope, which leads him to conclude that the product is in reality coloured glass. After ~ the Lagina brothers express their disappointment through this development, Charles Lewton-Brain educates them the the bauble is certainly “handmade” and also “not modern”. “Glass gems have been approximately at the very least 500 years,” the gemologist continues. “Leaded glass has been used a lengthy time due to the fact that the irradiate passes with it well…”

An interpretation of the 2nd brooch discovered on Oak Island.

Marty asks the gemologists what accounts because that the bauble’s red colour. Axel Bladh then informs him that “the formulas because that making red glass have been lost and also found and also lost and also found again number of times v history… Glass people were extremely secretive. Each family members that was functioning glass would have actually their own tiny book of recipes, sometimes in code.” This revelation prompts the narrator come remind united state of the Rosicrucian theory, i m sorry holds that members that a an enig 17th Century culture are behind the Oak Island mystery.

After that, Lewton-Brain examines the setups in i beg your pardon the gems to be housed. While examining the lot of 21 brooch, the draws the treasure hunters’ attention in the direction of a steel cord i beg your pardon encircles the bezel. “If girlfriend look at this cord, or wire,” that explains, “you have the right to see the there’s a spiral nature come it… This is no your plain old brooch discovered in the ground. The is a at sight ancient method of make wire.” the later explains that the technique by i m sorry this cable was developed is dubbed “block twisting”.

An interpretation of a close-up of the lot 21 brooch, with a focus upon the block twisted wire.

When Marty asks the gemologist just how old he believes the artifact come be, Lewton-Brain defines that block twisting dropped out that fashion ~ 1340 A.D., once it was overshadowed by wire illustration with attract plates. “Potentially older 보다 1340?” asks one incredulous Marty Lagina. “Yeah,” replies Lewton-Brain, nodding his head.

In an answer to this assessment, Marty says, “I’ve been completely unwilling to believe that what happened on Oak Island happened pre-1400s… and also now you’ve got this.” In a later on interview, Marty explains that, back some apprehension still remains, Lewton-Brain’s analysis of the lot of 21 brooch has actually opened his mind up to brand-new possibilities.

Lewton-Brain concludes his analysis by stating that the many 21 brooch is probably “countryside work” and also definitely of europe origin. He motivates the Oak Island crew come consult the databases of London, England’s brother Gemological Society, indigenous which lock might have the ability to learn much more about their artifacts.

The following day, Marty Lagina, Craig Tester, and Alex Lagina drive to St. Mary’s university in Halifax, Nova Scotia. There, they fulfill with associate professor the Chemistry Dr. Christa Brosseau and research tool technician Dr. Xiang Yang. The sweetheart hunters present the researchers with the many 21 brooch, which Brosseau and also Yang subsequently study with an electron microscope. The scientists identify that the outer decorative real estate is made of brass, and also that the inner housing in i beg your pardon the glass gem is collection is written of pure copper. They likewise conclude that, in accordance with Laird Niven’s assertion, components of the brooch space coated in gold leaf.

Later that afternoon, the Oak Island crew meets in the battle Room. There, Marty relates the current revelations concerning the lot 21 brooch. “David,” he says, turning to Dave Blankenship- who has actually formerly asserted that his chief attention in Oak Island lies in the salvation of the elusive “spendables”- “this small gem has actually gold on it. Us have found our an initial gold on Oak Island.”

“I want an ext gold 보다 that,” says a plainly unimpressed Dave, to which Marty replies, “Well, come on, man. Little victories, right?”

Later, rick Lagina and also Dan Henskee walk come the Money Pit area, wherein the guys of Eagle Canada educate them the their seismic survey is complete. The seismic crew members phone call the treasure hunters the the survey data need to be completely analyzed in “a pair weeks”.

The illustration ends with the narrator’s announcement that the road to Smith’s Cove has actually been completed, and that the building of the cofferdam will quickly commence. The camera pans to the causeway, where tractor-trailers loaded v heavy tools slowly make their means onto the island.


The Glass Gem

In this episode, Calgary-based gemologist Charles Lewton-Brian examines the gem indigenous the brooch uncovered on Oak Island’s many 21 and determines that it is make of red-coloured lead glass. He instantly remarks that the artifact can be up to 500 year old.

The Oak Island brooch found on lot of 21.

Coloured glass has been offered in jewelry for millennia, frequently functioning as imitation gemstones. Considering the colour, the glass gem in the lot of 21 brooch was perhaps meant come imitate a ruby. The truth that the gem bears facets, considering the background of facet-cutting, argues that that was more than likely crafted no earlier than the 1400s.

Block Twisting

In this episode, Charles Lewton-Brain examines the brooch found on Oak Island’s lot of 21 and also observes that the wire the encircles the artifact’s bezel bear diagonal lines. This markings, according to Lewton-Brain, show that the cable was formed through block twisting- one ancient method of cable manufacture not frequently found in post-14th Century artifacts.

An interpretation of a close-up of the many 21 brooch, through the focus upon the block twisted wire.

Block twisting to be employed as at an early stage as classical Antiquity. This wire-making an approach involves hammering a quantity of metal into a thin sheet, cut a narrow ribbon native this sheet, and also twisting the ribbon in ~ both ends as tightly together possible. The twisted cord is then rolled in between two planks of tough wood till it forms a smooth wire. Return the spiral-shaped grooves resultant of the twisting procedure can be completely removed during the rojo process, part vestige of this markings usually remains.

Block twisting was not the only an approach used by old wire makers. An additional method, dubbed “strip-drawing”, requires threading thin metal strips through small holes. If passing through the hole, the piece curls in ~ above itself, developing a thin, hollow tube. A simpler, an ext primitive method of wire making involves hammering and rolling an ingot until it forms a cord.

A middle ages illustration portraying wire drawing.

Over time, one particular technique of wire-making overshadowed all others. This method, dubbed “drawing”, involves pulling a metal rod v a series of cone-shaped holes of steadily decreasing diameter. These holes space bored with either a “die” or a “drawplate”, the last being a plank that metal, wood, or bone. When passed through a hole smaller sized than the diameter, the rod i do not care thinner and longer.

The beginning of this wire-making method is a mystery over which chroniclers have questioned for centuries. Some say the wire drawing was designed by the ancient Egyptians. Others suspect that Persians employed the as early on as the 6th Century B.C. Others still complete that that was first used by the Romans, when many an ext argue that Merovingian Franks created it in the 7th Century A.D. Most historians agree, however, the the first written recommendation to the drawplate is the writing of Theophilus, an early 12th Century Latin message describing various middle ages arts, and that the earliest universally-accepted drawplates are 10th Century Viking artifacts.

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Although wire drawing gradually superseded every other forms of wire-making techniques throughout the middle Ages, the would certainly be possible for medieval and post-medieval jewelers come craft your wires using much more ancient approaches like block twisting and also strip-drawing. Wire makers can even be forced to use these approaches if they found themselves in want of a drawplate. Therefore, although the spiral cable on the many 21 brooch might be more consistent with pre-medieval jewelry, the by no method eliminates the opportunity that the artifact to be crafted in much more recent times.

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